{"id":1583,"date":"2024-01-29T10:28:04","date_gmt":"2024-01-29T07:28:04","guid":{"rendered":"https:\/\/masterethno.music.uoa.gr\/musical-ensembles-iii\/"},"modified":"2024-02-05T20:07:33","modified_gmt":"2024-02-05T17:07:33","slug":"musical-ensembles-iii","status":"publish","type":"post","link":"https:\/\/masterethno.music.uoa.gr\/en\/musical-ensembles-iii\/","title":{"rendered":"Musical ensembles III"},"content":{"rendered":"<p>This course is the first part of a series of courses that will be completed at the end of three academic semesters and aims to create a musical ensemble (as the title suggests), which will be able to present in public (exams, events inside and outside the University, TV appearances, concerts outside Greece, etc.) what its students are taught during their participation in it.<\/p>\n<p>Indicative field chapters covered in the first phase of the course:<\/p>\n<ol>\n<li>Selected songs and instrumental scores from Western Macedonia<\/li>\n<li>Selected songs and instrumental scores from Eastern Rumelia<\/li>\n<li>Selected songs and tunes from Epirus<\/li>\n<li>Selected songs and tunes from the Peloponnese and Central Greece<\/li>\n<li>Selected songs and tunes from Crete<\/li>\n<li>Polyphonic songs from the Ionian Islands<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>Recommended literature<\/strong><\/p>\n<p>Andreoulakis, H. &amp; Petrakis, S. (2007). Purposes &amp; Mandinades of Crete. Athens: Philip Nakas<\/p>\n<p>Kapsokavadis, A. (2020). <em>Musical Meta-versions<\/em>. Athens: Melodic Ship<\/p>\n<p>Kostantzos, C. (1999). <em>The songs of Smyrna<\/em>. Athens: Fagotto<\/p>\n<p>____(2001). <em>Songs of the City<\/em>. Athens: Fagotto<\/p>\n<p>Kotsinis, G. (2008).  <em>Melismas &#8211; The art of the Greek clarinet.  <\/em>Athens: Philip Nakas<\/p>\n<p>Mavroeidis, M. (1994). Anthology of Greek Traditional Music. Athens: Fagotto<\/p>\n<p>Papadopoulou, K. (2017).  <em>Percussion &#8211; The music of the heart.  <\/em>Athens: DOREMI<\/p>\n<p>Pephanis, L. &amp; Fevgalas, S. (2013). <em>Musical Recordings <\/em><em>I<\/em> <em>&#8211; 184 instrumental scores from the Aegean, Ionian, Crete and Cyprus<\/em>. Athens: Papagrigoriou-Nakas<\/p>\n<p>____(2016). <em>Music Records <\/em><em>II<\/em> <em>&#8211; 200 instrumental scores from Thrace, Macedonia, Epirus, Epirus, Thessaly, Central Greece and Peloponnese<\/em>. Athens: Papagrigoriou-Nakas<\/p>\n<p>____(2016). <em>Music Records <\/em><em>III<\/em> <em>&#8211; 216 instrumental scores from Asia Minor, Pontus, Pontus, Azov and Lower Italy<\/em>. Athens: Papagrigoriou-Nakas<\/p>\n<p>Sulakellis, Th. (1999). <em>Aegean of Angels <\/em><em>&#8211; 15 songs of the sea <\/em>. Athens: Philippos Nakas<\/p>\n<p>Tsiamoulis, C. (2018). <em>The melodic patterns of tradition <\/em><em>&#8211; mode a\u00b4 (issue one)<\/em>. Athens: Papagrigoriou-Nakas<\/p>\n<p>____(2018). <em>The melodic patterns of tradition <\/em><em>&#8211; mode a\u00b4 (issue two)<\/em>. Athens: Papagrigoriou-Nakas<\/p>\n<p>____(2023).  <em>The melodic patterns of tradition &#8211; mode b\u00b4 (issue three).<\/em>  Athens: Papagrigoriou-Nakas<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This course is the first part of a series of [&hellip;]<\/p>\n","protected":false},"author":3479,"featured_media":1367,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"_links":{"self":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1583"}],"collection":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/users\/3479"}],"replies":[{"embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/comments?post=1583"}],"version-history":[{"count":1,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1583\/revisions"}],"predecessor-version":[{"id":1589,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1583\/revisions\/1589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/media\/1367"}],"wp:attachment":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/media?parent=1583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/categories?post=1583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/tags?post=1583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}