{"id":1571,"date":"2024-01-29T10:26:19","date_gmt":"2024-01-29T07:26:19","guid":{"rendered":"https:\/\/masterethno.music.uoa.gr\/special-issues-of-ethnomusicology-cultural-management-of-traditional-folk-music\/"},"modified":"2024-02-05T21:35:22","modified_gmt":"2024-02-05T18:35:22","slug":"special-issues-of-ethnomusicology-cultural-management-of-traditional-folk-music","status":"publish","type":"post","link":"https:\/\/masterethno.music.uoa.gr\/en\/special-issues-of-ethnomusicology-cultural-management-of-traditional-folk-music\/","title":{"rendered":"Special issues of ethnomusicology & cultural management of traditional music"},"content":{"rendered":"

The course examines specific ethnomusicological issues, such as:<\/p>\n

    \n
  1. The distinction between the concepts of “tradition”, “folklore”, “folklorism”, “ethnic”, “Greek musical tradition”, “folk music”, “popular music”, “traditional music”<\/li>\n
  2. Issues of orality and literacy in the Greek musical tradition<\/li>\n
  3. Introduction to the cultural management of traditional-folk music<\/li>\n
  4. Formulation and editing of the music program<\/li>\n
  5. Communication and promotion of the music programme<\/li>\n
  6. Research and writing of postgraduate thesis: choice of topic, formulation of the thesis, regulations<\/li>\n
  7. Fieldwork methodology, management and exploitation of the resulting material<\/li>\n
  8. Search and management of bibliographic and discographic research at a scientific level<\/li>\n
  9. Distinguishing primary and secondary sources and their use in the context of writing a scientific paper or presenting a musical programme<\/li>\n
  10. Recording of musical and non-musical material of traditional-folk music<\/li>\n<\/ol>\n

     <\/p>\n

    Recommended literature<\/strong><\/p>\n

    Eco, um. (1994). How a thesis is made. <\/em>Athens: Isos<\/p>\n

    Fargion, J. T. (ed.). (2001). A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists. <\/em>Bloomington<\/p>\n

    Garc\u00eda, C.; Corona, L. (ed.). (2021). Voices of the Field: Pathways in Public Ethnomusicology. <\/em>New York: Oxford University Press<\/p>\n

    Gilman, L.; Fenn, J. (ed.). (2019). Handbook for Folklore and Ethnomusicology Fieldwork. <\/em>Indiana University Press<\/p>\n

    Kallimopoulou, E. (2009). Paradosiak\u00e1: Music, meaning and identity in modern Greece. <\/em>Ashgate<\/p>\n

    Music Library Association Working Group for Archival Description of Music Materials (December 2019). Guidelines for Archival Description of Notated Music. A Supplement to Describing Archives: A Content Standard<\/em><\/p>\n

    Music Library Association Working Group for Archival Description of Music Materials (October 2020). Archival Description of Notated Music<\/em><\/p>\n

    Nettl, B. (2016). Ethnomusicology<\/em>: <\/em>Thirty-one<\/em> issues<\/em> and<\/em> concepts<\/em>.<\/em> Athens: Nisos Publications.<\/p>\n

    Veniakaki, A. (2021). Writing a scientific paper in the social sciences and humanities: a practical guide. <\/em>Athens: Gutenberg<\/p>\n

    Dragoumis, M. (2003 & 2009). Our traditional music. <\/em>Tom. 1 & 2. Athens: Publications of the Centre for Asia Minor Studies<\/p>\n

    Drulia L. and Liavas L. (ed.) (1999). Music of Thrace. A multidisciplinary approach: Evros.<\/em> Athens: Association “Friends of Music”<\/p>\n

    Zorba M. (2014). The politics of culture. Europe and Greece in the second half of the 20th<\/sup> century.<\/em> Athens: Patakis<\/p>\n

    Crab, P. (2006). Music as art, culture and ideology: An ethnographic study of Muslims in Thrace<\/em>. Athens<\/p>\n

    Crab, P. (ed.) (2010). Folklore and tradition. Issues of re-representation and performance of music and dance. <\/em>Athens: Nisos<\/p>\n

    Kakamboura, R. (2008). Life narratives. The biographical approach in modern folklore research.<\/em> Athens: Atrapos Publications<\/p>\n

    Kallimopoulou, E.; Ballantina, A. (2014) Introduction to Ethnomusicology<\/em>. Athens: Asini Publications.<\/p>\n

    Kapsokavadis, A. (2020). Musical meta-translations. <\/em>Athens: Melodic Boat<\/p>\n

    Kokkonis, C. (2017). Folk music traditions. Logical readings\/ Popular realizations. <\/em>Athens: Fagotto Books<\/p>\n

    Lalioti, V. (2016). The soundtrack of our lives. Contemporary issues in the study of popular music<\/em>. Athens: Papazisis<\/p>\n

    Merlier, M. \u039f. (1935). Musical Folklore in Greece.<\/em> Athens: Publications of the Musical Folklore Archive & Archives of the Musicological Archive and Bookstore I. \u0394. Sideris<\/p>\n

    Department of Folk and Traditional Music, TEI of Epirus (2006). Music, sound and place: the texts<\/em>. Arta<\/p>\n

    Department of Folk and Traditional Music, TEI of Epirus (2007). Pronouns: The texts. <\/em>Arta<\/p>\n

    Hapsoulas, A. (2002). Musical recordings of melodies of Xeropotamos Drama. <\/em>Athens: Papagrigoriou – Nakas Publications<\/p>\n

    ____(2010). Ethnomusicology: historiographical and ethnographic dimensions. <\/em>Athens: Isos<\/p>\n","protected":false},"excerpt":{"rendered":"

    The course examines specific ethnomusicological issues, such as: The distinction […]<\/p>\n","protected":false},"author":3479,"featured_media":1367,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"_links":{"self":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1571"}],"collection":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/users\/3479"}],"replies":[{"embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/comments?post=1571"}],"version-history":[{"count":2,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1571\/revisions"}],"predecessor-version":[{"id":1729,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1571\/revisions\/1729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/media\/1367"}],"wp:attachment":[{"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/media?parent=1571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/categories?post=1571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masterethno.music.uoa.gr\/en\/wp-json\/wp\/v2\/tags?post=1571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}